reflective analysis

Reflective analysis

My aim for my screenplay was to write a teenage drama, aimed at teenagers. I wrote my screenplay from the middle of the story. I thought this would clearly show how the story would go and what would be in the rest of the screenplay if I were to continue. The screenplay is based on 8 characters, all of which are features in the scenes I wrote. From this experience I have learned about the screenwriting layout and learning how to tell as story with dialog and description.

I think the work that I produced was successful in showing the correct format for a screenplay and showing teenagers in a way that teenagers are not normally seen as in the mainstream media. As these teenagers are aimless and the story doesn’t consist of anyone being “special” in some way they are ordinary teenagers, who also show anxiety which isn’t a common theme in most mainstream teenage dramas. As most teenager films and TV show teenagers to be special in some way or filled with purpose, not facing any stress or anxiety, but that isn't realistic, teenagers do waste time and live normal lives. So I wrote the teenagers to be normal and imperfect, getting themselves into pointless situations and stressing themselves over nothing. I feel like my screenplay shows this as Cassie, stresses over being in a bar, not knowing anybody and stressing over practically nothing. And when Alife, Cassie, Mia, Ade and Katherine are hanging out before they find Eugine, they are wasting time, just wondering around, and this is what teenagers actually do sometimes, this is also shown in La Hain.

My screenplay was inspired by La Haine, made in 1995 and directed by Mathieu Kassovitz. La Haine is a French independent film. It inspired my screenplay as I think it represents teenage activity well. For example there is are some scenes in the film where Vintz, Hubert and Said, wonder around the estate aimlessly. This is a similar scene I have, where Alfie, Mai, Cassie, Ade and Katherine wonder around before they find Eugine. There is also a link between drugs, as there is a scene in La Haine where the three main characters are practically doing nothing, and Vice is sat down and on the floor by him is a needle. This represents the drug activity and as he plays with the needle with his foot, it shows that the drug use is common. This is similar to Alfie, as when Eugine is passed out on his floor, Alfie knows that he must have taken drugs to be in a state like this. However he doesn’t act shocked or surprised, more disappointed, showing that this drug use is also common. Drugs are a convention of the teen drama, as it offers a form of escapism from there slightly dull lives, as teenagers often dream of leaving their hometown and making it somewhere big, like New York.  

However I wasn't so successful in the imagination of the story, in the scenes I produced there wasn't as much drama as I possibly could have written. I also could have made it more dramatic but still realistic to make it more interesting, however I didn't I stayed to realism more than imagination. I also had trouble continuing to write in present tense all the way through, as I would often drift and write in past tense, which I had to continuously go back and change. I also feel like because I wrote the screenplay, not at the beginning but slightly into the narrative, so it is hard to get into the narrative when the characters haven't been introduced, so if someone with no context of the screenplay may have trouble getting into the narrative. I also don't think that I have hinted towards camera angles, as in a screenplay you are not meant to put any camera techniques in. You can hint towards what the camera angle would be. For example if you write that someone is looking at something. The hinted camera angle would be a close up of said object. I do not think I have done this often enough or at all.

My screenplay shows common conventions of the teenage drama, genre. For example one of the scenes takes place in a bar, which is a substitute for a party, as it is a social gathering. This is similar to the scene in La Hain, where Said, Vince and Hubert join teenagers who are on a roof, eating and smoking, however it doesn’t show alcohol. Where as in my screenplay there is implied alcohol as they are in a bar, and Eugine, although it is never said that he drinks alcohol or takes drugs. It is implied when he slide money over to a stranger and wakes up with his head in the toilet.

My screenplay also has the element of friendship that is common in the drama as Alfie takes care of Dexter when he has passed out. As well as a group of friends hanging around together and as a group helping another friend. This is similar to the friendship shown in La Hain, as throughout the film Hubert and Vintz have disagreements like when Vintz says he is going to kill a policeman if their friend dies, they have constant disagreements throughout the film and Said is left to choose sides. Said is always in the middle but they always end up coming together as a three. This is similar to my screenplay as Eugine makes mistakes and like turning his back on Cassie at the bar and being passed out in his own home, but his friends are there for him, to look after him.

Eugine and Hubert are quite similar, like how Hubert near the beginning of the film, while Vintz and Said stand in the background, deals drugs in public. Eugine buys drugs in a public place without batting an eye. This is normal behavior for both Eugine and Hubert. The way that Eugines friends, Alfie, Mia, Cassie, Ade and Katherine react to Eugines behavior similarly to how aid and Vintz react to Hubert, that they don’t make a big deal out of it. This normal behavior for both Eugine and Hebert to be dealing with drugs.

   

Aims and context

A screenplay
target audience- teenagers
genre- teenage drama
About a group of teenagers who face different types of stress and anxiety in different ways, and follows them into the situations they face because of how they choses to deal with their issues and how and who faces the consequences.

final presentation script

Presentation script: Many Disney films present an ideology of dysfunctional families, could this continuous use of the theme be regarded as an auteur.

Speaker: My project is based around the works of Walt Disney, a well-known Animator famous for such works as Cinderella and Snow White and the seven dwarfs. In most of Disney’s films there is a visible ideology of dysfunctional families and this is a continuous theme throughout all Disney films but does this make Walt Disney an auteur? An auteur is someone who adds something personal to their films, they are the “author” of their films. (Item 14).

Clip: [Evil Queen giving Snow White poison apple] Item 3

Walt Disney's first film was Snow White and the seven dwarfs made in 1937. This is the story of Snow White who's farther dies after marrying an evil queen, who tries to kill Snow White because the Queen is jealous of Snow Whites beauty. (Item 3) This is an example of dysfunctional family is a family where “one in which adult caregivers are unable to consistently fulfil their family responsibilities." By definition because the farther (the king) failed to stay alive and not fulfilling his family responsibility, makes a dysfunctional family, as well as the Queen being Snow Whites step-mother failing to take care of her by attempting to kill her as the previous clip shows adds to the dysfunctional family. (Item 15)

Clip: [Snow White cleaning by the well] (Item 3)

This scene shows Snow White a princess in rags and cleaning. This shows how Snow White is treated when her father is no longer around, she is treated like a maid as opposed to the princess she is. This is an example of how the Queen has mistreated her step daughter, which is also an example of family dysfunction.

Clip: [Wendy and Father fight] (Item 1)

Peter pan (1953) is another one of Disney's films with dysfunctional families, as Peter Pan is a boy with no unmentionable parents who takes Wendy, John and Michael who has a strong conflict with their parents as seen on the clip (mainly between Wendy and the father) about growing up, to Neverland to meet a group of other young boys with no unmentionable parents and live with them, forgetting about parents all together. (Item 1) Another definition of dysfunctional family is “A family with multiple 'internal'–eg sibling rivalries, parent-child– conflicts, domestic violence, mental illness, single parenthood, or 'external'–eg alcohol or drug abuse, extramarital affairs, gambling, unemployment—influences that affect the basic needs of the family unit” (Item 15) Although by definition Peter and the lost boys are not a family because they are not related by blood but within the context of the film they see each other as a family with Peter as the father figure, so to begin with it was a one parent family and then Wendy becomes the Mother figure. However nearer the end when Wendy wishes to go home, conflict arose and it split the “family” leaving Peter alone.

Clip: [Wendy wants to go home] (Item 1)

Bambi (1942) is another film by Disney, where Bambi is left without a mother by a hunter and creates a family with a rabbit and a skunk, instead of his seemingly emotionally empty father. (Item 2) Using both definitions of dysfunctional family, Bambi fits with both as there is parent/ child conflicts and single parenthood as well as a parent not fulling their duties (item 15)

Clip: [Bambi's mothers death] (Item 2)

This clip shows the death of Bambi's mother, from the clip we can see how devastated Bambi is about losing his mother. This scene is shown as a reflection on Walt Disney and how he felt with the death of his mother as Bambi similar to Walt Disney is not with his mother when she died. This demonstrates Walt Disney being an auteur because this scene is a something personal that he has added to his films, it is also a recurring theme in most of his films like Aladdin, as we never saw his mother’s death, similar to Bell from Beauty and the beast and Ariel from the little mermaid.[9]

Clip: [Peter Pan introducing the Lost boys] (Item 1)

I have mentioned the three key films that clearly show dysfunctional family, like how Peter Pan creates a Family with the Lost boys as seen as the previous clip where they treat him like their adult figure similar to a father because they do not have a real one, like how Peter Pan doesn’t have a family of his own so he made one, where he looks after and cares for them like a father figure. But to be an auteur, Disney’s use of dysfunctional family needs to be personal by definition, so is it personal or is it just for development of the story?

Well… according to Don Hahn who is an executive producer for Disney, in an interview commented on why Disney is usually missing a mother he offered two stories one is that “Disney films are about growing up. They’re about that day in your life when you have to accept responsibility…it’s much quicker to have characters grow up when you bump off their parents”. This poses a good point, would Peter Pan have been able to take Wendy, John and Michael away if they were part of a functional happy family? The Dysfunction leads to a quicker developed and more emotional story. However the second story he told was “In the early 1940s…The furnace leaked and his mother died… Walt never spoke about that time because he personally felt responsible because he had become so successful that he said, "Let me buy you a house." If Walt Disney felt personally responsible for his mother’s death it could have easily effected his work and as he couldn’t have a full functional family, neither could his characters. (Item 7)

This still doesn’t answer the question whether the dysfunctional ideology set in Disney films was a personal creative decision or something to ease a story. If we look at the dates, Flora Call Disney (Walt Disney’s mother) died November 26th 1938, meaning she dies before Bambi and Peter Pan were released but after Snow White was made, as that is how he made the money to buy his parents the house. (Item 6) So Snow Whites family dysfunction is only for narrative purposes, to progress the story so that the events like meeting the dwarfs actually happens and the story can continue.

Clip: [Bambi' looking for his mother] (Item 2)

This clip is after Bambi has lost his Mother, in this clip you can see the heartbreak Bambi is feeling as he slowly accepts that she is gone. Also at the end of this clip we see Bambi’s father tell him that his mother is gone, this is similar to Disney’s situation as his mother and father were in the same house but his father survived, so similar to Bambi Walt was left with only his father. Walt Disney’s loss of his Mother because of his grief and guilt, and similar to Bambi, Walt Disney’s loss affected him, and we can see this in his films especially this one. However it could be that although Bambi’s and Disney’s situations were similar, it could be an accident because Bambi wouldn’t have gone through the character development as quickly and wouldn’t have create the family with Thumper and the rest of his friends which adds to the compelling narrative. But could there have been a different way to quicker character development and the narrative without killing the mother?

Disney’s use of dysfunctional families is common in some of his films but is it all his them? Lady and the Tramp is a story of two dogs who find love after coming from two different worlds, although you could argue that Tramp not having owners would count as a dysfunctional family because technically that makes him an orphan but at the same time does the definition of dysfunctional family count with animals, in that case, does Bambi count as a dysfunctional because it is animals? It is difficult to tell if there are exceptions to the definition or not which makes this hard to argue. (Item 9)

Walt Disney has a repetition for being a family man, who holds family in high regards, this is seen in this clip of Walt Disney with his children.

(Show home video from documentary Item 13)

This clip shows how close Disney was with his own family, hinting to the fact that he was close with his mother and was truly devastated at her death so much he channelled this into his work. Another example of how he regarded family is a quote that reads “a man should never neglect his family for business” This shows that he would always put his family before work. (Item 16)

Image: (Item 17)

Another example of how he regarded family is this quote which reads “A man should never neglect his family for business” This shows that he puts family first before his work, but does this mean that he incorporates his family into his work like he seems to have done with his mother or does this mean that the work and family are separate and he tries to keep them apart so he can keep putting his family first?

If Disney does incorporate his family in his films, it would help explain disneyfication, which is when “a story is rendered safe” in other words it creates a happy ending [11]. So Walt Disney being a family man, who includes his family in his stories, it would make sense that everything comes to a happy ending where the prince gets the princess and everyone lives happily ever after. However disneyfication could be explained by the films being aimed at children who wants the nasty pirate to lose and everyone to be happy, although considered unrealistic it concludes the story without any unanswered questions or a cliff hanger that children can’t fully understand.

Still modern day Disney film, still has a theme of dysfunctional family even though Disney died in 1966 [5]. So are producers like Don Hahn continuing incorporating Disney’s personal life into their stories to keep Disney being an auteur? Or are they continuing the recurring theme of dysfunctional family to quicken narrative and character development? It makes more sense if they are creating each Disney protagonist with dysfunctional families to quicken the narrative as unlike Walt Disney himself, they don’t have the personal stories to incorporate the film. So Walt Disney could be an auteur and when he died, Walt Disney studios carried on the theme of dysfunctional families for character development instead of being auteurs themselves.

Presentation script: Many Disney films present an ideology of dysfunctional families, could this continuous use of the theme be regarded as an auteur.


Speaker: My project is based around the works of Walt Disney, a well-known Animator famous for such works as Cinderella and Snow White and the seven dwarfs. In most of Disney’s films there is a visible ideology of dysfunctional families and this is a continuous theme throughout all Disney films but does this make Walt Disney an auteur? "A true film auteur is someone who brings something genuinely personal to his subject instead of producing a tasteful, accurate but lifeless rendering of the original material” (item 12).

Clip: [Evil Queen giving Snow White poison apple] Item 3

Walt Disney's first film was Snow White and the seven dwarfs made in 1937. This is the story of Snow White who's farther dies after marrying an evil queen, who tries to kill Snow White because the Queen is jealous of Snow Whites beauty. (Item 3) This is an example of dysfunctional family is a family where”one in which adult caregivers are unable to consistently fulfill their family responsibilities." By definition because the farther (the king) failed to stay alive and not fulfilling his family responsibility, makes a dysfunctional family, as well as the Queen being Snow Whites step-mother failing to take care of her by attempting to kill her as the previous clip shows adds to the dysfunctional family. (Item 15)

Clip: [Snow White cleaning by the well] (Item 3)

This scene shows Snow White a princess in rags and cleaning. This shows how Snow White is treated when her father is not longer around, she is treated like a maid as opposed to the princess she is. This is an example of how the Queen has mis-treated her step daughter, which is also an example of family dysfunction.

Peter pan (1953) is another one of Disney's films with dysfunctional families, as Peter Pan is a boy with no unmentionable parents who takes Wendy, John and Michael who has a strong conflict with their parents (mainly between Wendy and the father) about growing up, to Neverland to meet a group of other young boys with no unmentionable parents and live with them, forgetting about parents all together. (Item 1) Another definition of dysfunctional family is “A family with multiple 'internal'–eg sibling rivalries, parent-child– conflicts, domestic violence, mental illness, single parenthood, or 'external'–eg alcohol or drug abuse, extramarital affairs, gambling, unemployment—influences that affect the basic needs of the family unit” (Item 15) Although by definition Peter and the lost boys are not a family because they are not related by blood but within the context of the film they see each other as a family with Peter as the father figure, so to begin with it was a one parent family and then Wendy becomes the Mother figure. However nearer the end when Wendy wishes to go home, conflict arose and it split the “family” leaving Peter alone.


Clip: [Wendy and Father fight] (Item 1)


Bambi (1942) is another film by Disney, where Bambi is left without a mother by a hunter and creates a family with a rabbit and a skunk, instead of his seemingly emotionally empty father. (Item 2) Using both definitions of dysfunctional family, Bambi fits with both as there is parent/ child conflicts and single parenthood as well as a parent not fulling their duties (item 15)


Clip: [Bambi's mothers death] (Item 2)

This clip shows the death of Bambi's mother, from he clip we can see how devastated Bambi is about losing his mother. This scene is shown as a reflection on Walt Disney and how he felt with the death of his mother as Bambi similar to Walt Disney is not with his mother when she died.


I have mentioned the three key films that clearly show dysfunctional family. But to be an auteur, Disney’s use of dysfunctional family needs to be personal by definition, so is it personal or is it just for development of the story?

Clip: [Peter Pan introducing the Lost boys] (Item 1)

Well… according to Don Hahn who is an executive producer for Disney, in an interview commented on why Disney is usually missing a mother he offered two stories one is that “Disney films are about growing up. They’re about that day in your life when you have to accept responsibility…it’s much quicker to have characters grow up when you bump off their parents”. This poses a good point, would Peter Pan have been able to take Wendy, John and Michael away if they were part of a functional happy family? The Dysfunction leads to a quicker developed and more emotional story. However the second story he told was “In the early 1940s…The furnace leaked and his mother died… Walt never spoke about that time because he personally felt responsible because he had become so successful that he said, "Let me buy you a house." If Walt Disney felt personally responsible for his mother’s death it could have easily effected his work and as he couldn’t have a full functional family, neither could his characters. (Item 7)

Clip: [Bambi's dream] (Item 2)

This still doesn’t answer the question whether the dysfunctional ideology set in Disney films was a personal creative decision or something to ease a story. If we look at the dates, Flora Call Disney (Walt Disney’s mother) died November 26th 1938, meaning she dies before Bambi and Peter Pan were released but after Snow White was made, as that is how he made the money to buy his parents the house. (Item 6) So Snow Whites family dysfunction is only for narrative purposes, to progress the story so that the events like meeting the dwarfs actually happens and the story can continue.

By looking at the dates of the three films I have looked at two out of three point to Disney’s use of family dysfunction being personal and Disney is an auteur bringing something personal to all his films, however is it all his films? Lady and the Tramp is a story of two dogs who find love after coming from two different worlds, although you could argue that Tramp not having owners would count as a dysfunctional family because technically that makes him an orphan but at the same time does the definition of dysfunctional family count with animals, in that case, does Bambi count as a dysfunctional because it is animals? It is difficult to tell if there are exceptions to the definition or not which makes this hard to argue. (Item 9)

Clip:[Wendy wants to go home] (Item 1)

Walt Disney has a repetition for being a family man, who holds family in high regards, this is seen in this clip of Walt Disney with his children.


(Show home video from documentary Item 13)

This clip shows how close Disney was with his own family, hinting to the fact that he was close with his mother and was truly devastated at her death so much he channelled this into his work. Another example of how he regarded family is a quote that reads “a man should never neglect his family for business” This shows that he would always put his family before work. (Item 16)


Image: (Item 17)

  

quote

City of God

What is the importance of mise-en-scene and / or sound in creating meaning and generating response in the film you have studied?

In the film City of God, mise-en-scene is important because it can not only give clues on the narrative it also gives some contextual information. In the scene near the beginning, where lil' Dice and the tender trio are sitting on some bricks. The bricks represent the foundations the future of City which it will be built on. Now because the Tender trio and lil' Dice are smoking Pot and are holding guns, which mies-en-scene is setting an ideology of the foundations that the City of God is supported by drugs and violence, so we get the impression that later on we can expect the City to become very violent and aggressive and drugs would play a big part in the Cities financial situation. Also sitting higher up on the bricks is lil' Dice, this shows a mile-en-scene of a hierarchy of power with Lil' Dice at the top showing that he is going to be the powerful one, he will eventually rise to power and be above Shaggy, Clipper and Goose. Lil' dice in this scene is shown as the one who is dominant not just because he is placed in a higher position, he is also the one with the gun, a weapon which gives a person power, the gun gives Lil' Dice some stature but is taken away by Goose when, Goose hits him and takes away the gun at the beginning of the scene. This reminds Lil' Dice that he isn't as powerful because he is a kid and he doesn't like that, you can tell by his facial expression and the way that he tells them that he is a "gangster too". In this scene there is a shot where the characters are being shown through some metal bars, this represents a cage, that all of them are trapped in a cage and this is mise-en-scene of everyone who lives in the City of God is trapped and un able to escape because as a recurring motif throughout the film is that anyone who lives in the Favelas can't leave, they can try but it never works. The bricks are also miss-en-scene of being trapped in the same situation, because the bricks represent what the city is going to become, the people who live in the Favelas would get sucked into the drugs and violence and become further trapped and because nothing ever changes it becomes a repeated cycle, as the tender trio commit crimes, then Lil' Dice will follow in their lead and then someone else would follow Lil' Dice and it will keep on repeating in this cycle, because nothing ever changes and the foundations stay the same.

Mies-En-Scene importance is also shown in the story of the apartment. To show the history of the apartment they put in a cross devolve showing that the film is going through time, into a montage of the apartment owners. Thought he cross dissolve you can see how the apartment has degraded over time, this is mine-en-scene of how drugs can degrade and ruin people and places. It starts by going back and showing that a woman called Dona Zelia in the 60's when women had more power. The next owner of the apartment, who took it from Donawas a male and so where the ones who followed, this is mise-en-scene of how in the 60's women were more powerful but as time went on the power change over to the men. In the Favelas of Brazil, drugs are very common and thousands of people are involved with the business of them, this is also a reason why life expectancy is so low, it is between 14 and 26 is the lifespan of someone living the the Favelas because of the danger, like later on in this scene when Carrot shoots Aristotle, Carrot didn't have much of a choice he was put in a kill or be killed position d that is what it is like in everyday life in the City of God. This scene also shows that in the slums of Brazil that most people are in the drug trade like in the film as the average pay is around $13 but in the drug trade you can make about $300 a week and the drug trade is easier to get into because like most people in the Favelas you don't have to be educated.

La Haine

What is the importance of mise-en-scene and / or sound in creating meaning and generating response in the film you have studied?

In the scene where the three characters are on top off a rooftop in Paris, Hubert and Vintz are sitting next to each other talking, this is mise-en-scene because those two characters have been in conflict throughout the film and this positioning shows that they are no longer in conflict, that they are friends one more. Said in this scene is doing nothing, he is messing around and enjoying himself, because mise-en-scene he is the one who brings the two friends together and tries to stop the conflict, so when these two characters are not in conflict Said doesn’t have to do anything. Hubert, Vintz and Said represent each of the qualities the French flag stand for, which are Liberty, fraternity and equality and in this scene is the first time the characters say these words. But they are saying it in the context of a mocking way, so it shows that they don’t fully appreciate the meaning, it could go as far to show that they also don’t appreciate each other and the roles they play in the friendship, which would explain the constant conflict. There is no sound added to the scene, just diegetic sounds in the scene like wind and footsteps, this ads a sense of realism to the scene. The characters are also seen smoking a joint, which shows that because where they come from is rough and filled with violence and drugs even though it is still a close knit community, and they are smoking as a way of escapism, they talk about how they want to get and that they don’t particularly enjoy there surroundings but they are stuck there because of poverty, so they use drugs as a form of escapism. Also in this scene it is the first time you see the Eiffel tower, which is unusual as in most movies based in France or Paris, there are many mentions and seeing of the iconic landmark but this is the first time seeing it because this film is very real, there is no fantasy of what Paris is like, this is based on real life and these characters don’t necessarily dream of a France, they see it how it is.

My next scene is the one before this one where they are at the train station after Vintz has spilt up from them, he then comes back to his two other friends. In this scene there is a shot which is in a shallow depth of field, focusing on Said and Hubert and there rest of the shot is out of focus so when Vintz walks up it is hard to see him but when the focus changes onto him, it shows that it has become clear to him that he needs his friends after seeing this violence in real life. This is the last time in the film where the boys have to reconnect after a confrontation, it is like Vintz has learned his lesson and you can see in his facial expression that he has changed, because his face has turned softer, he has become more sensitive in a way. The way that Vintz walking in showed that he was already on the platform, showing that he was waiting for his friends, he could have possibly got on the train and got home, but instead he waited for his friends so that he could reconnect because he learned that bad things happen when they are not together. In the next shot it shows them walking though the train station and one of the signs on the wall say “change” this is actually telling you that they have changed, over the couple of hours they have spent in Paris they have learned their lesson. As they are walking through the station there is echoes, which show how big Paris is, that is roomier than what they are used to. You can see how big the station is and there are the three characters in the middle, this could be mise-en-scene of how the characters no matter where they are or how big of a split they have they can always find each other. And once again there is no music, just the sounds of trains and echoes, reinforcing that this film is filmed almost like a documentary, with it being showed to be as realistic as possible because of it being based and filmed around the time of the riots in France.